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Margaret Atwood knows that she scares people. She opens up about that perception and also reflects on the bad advice she's received in her career and how she takes vengeance.

The new movie tells a story about how good meteorology can literally win wars. It also takes us back in time, to when the United States was at a disadvantage when it came to weather science.

The New York Times journalist Jonathan Swan says the president is fixated on becoming a "great man of history" during his second term. Swan's new book, written with Maggie Haberman, is Regime Change.

Bridgers' third solo album is her account of a time in which she retreated from the public eye, reeling from the effects of fame, a complicated love life and the sudden death of her father.

After detouring from the sound that first made her famous for Joanne and A Star Is Born, Lady Gaga's return to high-concept dance pop is a something new and old at the same time.

The two veteran rappers read as comic inversions of one another on their new albums, by turns renewed and restrained by the instincts that defined them at the start of their careers.

Starting with this year's nominations, the Grammy Awards will split its prize for country album of the year into two distinct categories: traditional and contemporary.

A year after pulling its music in protest, the duo is back on Spotify. For Amelia Meath and Nick Sanborn, that journey has been frustrating, eye-opening — and full of smaller victories.

Athletes, artists and activists crowd the list of winners of the nation's highest civilian honor. Before they get their medals Tuesday, get to know them — in sight and sound.

One inspiration behind Flamagra, the sixth album by the L.A. musician, was the wildfires in his hometown. It became another opportunity for the musician to reckon with ideas of death and rebirth.