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This month's selections include a youngster from Montreal, a veteran from Chicago, warehouse techno from Paris, a visionary from England, and footwork from Michael Jackson's hometown of Gary, Indiana.

Amid two invigorating new songs and three fresh renditions of Yo La Tengo classics, nine wide-ranging covers are performed with varying degrees of sweetness, sadness, silliness and joy.

A debut solo record, born of both heartache and imagination, is saturated with sounds of '60s and '70s Nashville.

On her 20th album, Raitt goes deep in the pocket, leaning on her gifts as a sensitive bandleader, bottleneck guitarist and producer, not to mention a paragon of modern blues expression.

A posthumous album from the great behind-the-scenes man sets a retrospective, autumnal focus on songs which gave rise to Toussaint and his city — and thus to a bigger American music canon.

On Rae's third album, the singer-songwriter's fleshed-out jams and delicate, jazz-informed ballads examine the subtle trajectories emotions can take.

To the extent that Snarky Puppy has a core sonic idea, it's an intricate melody over a multifaceted groove, as generated by multiple horn players, guitarists, keyboardists and percussionists.

On her first album in 13 years, one of country's supreme redheads lays bare the joy that is her most potent gift as a vocalist.

Metal superstar Robert Trujillo never spoke with the late Jaco Pastorius. But Trujillo is funding a film and a new compilation of demo recordings from his personal bass guitar hero.

On his new album, talented producer and chillwave crusader Chaz Bundick has transitioned into a full-fledged vocalist and groove operator.