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  • Anthony Heilbut's essay collection, The Fan Who Knew Too Much, features reflections on the Queen of Soul, soap operas and Jewish immigrants. The highlight of this sometimes harsh collection, says Michael Schaub, is a history of LGBT contributions to gospel.
  • Maureen McLane's experimental essay collection, My Poets, blends her academic and intellectual experiences with the poetry that has inspired her. The NYU professor tells her story through a series of reflections on poets from Chaucer to William Carlos Williams.
  • Black Hawk Down author Mark Bowden's new book outlines the changes in warfare since the Sept. 11, 2001, terrorist attacks, and the way our increasing computational power has helped capture terrorists like Osama bin Laden.
  • Between its polarizing polygonal design and plenty of production hiccups, the Cybertruck has had a long and rocky road to release. Its fate on the electric pickup market remains unclear.
  • The freshman New York Republican is facing nearly two dozen federal charges related to alleged financial misdeeds, many of which have been corroborated in a report compiled by House lawmakers.
  • A lawsuit by singer Cassie containing allegations of beatings and abuse by music producer Sean "Diddy" Combs has been settled one day after the lawsuit was filed, the artists announced Friday.
  • Julie Schumacher's anti-hero pens recommendations for junior colleagues, lackluster students and former lovers. The novel deftly mixes comedy with social criticism and righteous outrage.
  • Kate Mosse's new gothic thriller uses the concept of taxidermy as a clever skeleton on which to hang its scares. It's a dark and tangled tale that's definitely not for the squeamish.
  • The traditional mother-daughter dynamic turned on its head for New York Times columnist Alex Witchel in the wake of her mother's struggle with dementia. But Witchel's memoir, despite its raw honesty, fails to provide the depth needed to make it a standout in a trendy genre.
  • The traditional mother-daughter dynamic turned on its head for New York Times columnist Alex Witchel in the wake of her mother's struggle with dementia. But Witchel's memoir, despite its raw honesty, fails to provide the depth needed to make it a standout in a trendy genre.
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