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  • Fred Venturini's debut has a fascinating concept: What happens when a small-town kid gets amazing healing powers? But critic Jason Heller says the book never manages to explore that question fully.
  • Box Office Poison artist Alex Robinson is back with a new group of likeable, everyday people, mulling over their desire (or lack thereof) for children and family in an episodic, free-floating comic.
  • Artists Fábio Moon and Gabriel Bá — themselves twins — have turned Brazilian author Milton Hatoum's family drama The Brothers into a deftly-shaded graphic novel, full of compelling imagery.
  • Cartoonist Bill Griffith discovered as an adult that his mother had had a 16-year affair with another man, also a cartoonist. In Invisible Ink, he digs into the secrets surrounding his family.
  • Fantagraphics is the publisher that brought literary respectability to comics. Their mammoth 40th anniversary volume, We Told You So, tends towards self-congratulation — but deservedly so.
  • When sci-fi legend Octavia E. Butler died in 2006, fans mourned the loss of works she could have written. Now, two unpublished stories are being released after a scholar found them among her papers.
  • You won't find sparkling vampires here — Glen Duncan's latest supernatural novel is full of violence, gore and sex. A sequel to The Last Werewolf, it follows antihero Talulla Demetriou as she deals with her lycanthropy, pregnancy and, of course, some undead enemies.
  • Anthony Heilbut's essay collection, The Fan Who Knew Too Much, features reflections on the Queen of Soul, soap operas and Jewish immigrants. The highlight of this sometimes harsh collection, says Michael Schaub, is a history of LGBT contributions to gospel.
  • Jennifer Hayden's graphic novel is, on the surface, the story of losing her breasts to cancer. But she sets that narrative within a host of other life experiences, making room for joy, hope and humor.
  • Daniel Clowes is one of the greatest artists in modern comics, and now his seminal '90s work is out in a deluxe box set — not just Ghost World but his fascinatingly autobiographical gripe sessions.
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