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Ron Howard's new Pavarotti film fails to make us feel much for its subject, and does little to bolster the magical, complicated art called opera.

The band's catchy new album, Pop Psychology, was scooped by a bigger announcement: Its frontman, Tyler Glenn, is gay.

Artists like NBA YoungBoy, Rod Wave and a resurgent Kodak Black pulled in massive streaming numbers this year (and, at times, outran controversy) while barely registering on mainstream pop's radar.

Remember maps? A lot of these writers do. They use them to drive from Los Angeles to Las Vegas, Tangier to Cape Town, and Xinjiang, China, to New Delhi, among other places.

If the current conflict between J. Cole, Kendrick Lamar and Drake feels confusing, it's because the artists often hailed as hip-hop's "big three" have never played by the same rules.

This year's Super Bowl halftime star is a rare species in pop: More entertainer than celebrity, his enduring stage presence has eclipsed his melodramas, and perhaps even his music.

In the latest Superman film, Lois Lane and Clark Kent have a fight about what's more punk: edginess or kindness. The fate of something more than the mosh pit hangs in the balance.

Springfield schools have hired staff to teach Haitian students and other English language learners, but there is no evidence that each student "will have a private interpreter." There is also no evidence that non-Haitian students have been displaced.

The YouTube star PlaqueBoyMax built his following the usual way, livestreaming opinions on music and news. What's unusual is his latest move, which tests the modern meaning of the word "creator."

The sixth album by the North Carolina band, made over the course of a breakup between two of its members, is a masterpiece about life spent clinging to the edge of the abyss.