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  • The Cleveland Institute of Music has launched the Center for Innovative Musicianship, or what it's calling CIM². The center will build upon and formalize the business skills many students need to be musicians in today's freelance or gig-based economy. Joyce Griggs will serve as the center's vice president and director.
  • Join host Christopher Purdy and his guests for a preview of arts and cultural events in and around Columbus.
  • What is driving the latest TikTok trend?
  • When the Emerson String Quartet's cellist of 34 years, David Finckel, announced to his colleagues in 2011 that his decision to retire from the group, for…
  • Kirk is a reporter for the NPR member station in Boston, WGBH, where he covers higher education, taking the time to capture the distinct voices of students and faculty, administrators and thought leaders.
  • Mark Haslett has served at KETR since 2013. Since then, the station's news operation has enjoyed a increase in listener engagement and audience metrics, as well recognition in the Texas AP Broadcasters awards. Before coming to Northeast Texas, Haslett worked for High Plains Public Radio in Amarillo, where he worked as News Director and later as Director of Programming. His work has been broadcast on KERA, KCUR and other public radio stations, as well as the NPR Newscast. Haslett has also worked as an editor and reporter in both news and sports at newspapers in the Southwest and Midwest. Haslett developed a passion for radio as a youth, when he helped his father, a program host at (now-defunct) WRBC-AM in Jackson, Miss.
  • Amita Kelly is a Washington editor, where she works across beats and platforms to edit election, politics and policy news and features stories.
  • A Biden-era rule eases the path for workers to be sponsored for U.S. permanent residency, an attractive option for those in horse-racing looking for a competitive edge.
  • On this hour of All Sides, we'll hear author Scott Weidensaul's take on the future of birds and our planet.
  • “At this performance, it was a kind of pandemonium afterwards. The audience wouldn’t stop cheering.”That’s how the noted pianist Gilbert Kalish recalls…
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