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In Orlando, Vice President Harris rejected Gov. Ron DeSantis' invitation for a discussion about the state's new curriculum on slavery, calling it an "unnecessary" debate.

Ilana C. Myer creates a lush, shadowed fantasy world in Last Song Before Night, with a sprawling cast and an epic quest to restore the long-lost magic once summoned by music.

Yes, N.K. Jemison's newest epic is the kind of fantasy that has not one but two glossaries at the end — but reviewer Jason Heller says that just underscores her sumptuous detail and dimensionality.

Nalo Hopkinson's new collection mixes up her Afro-Caribbean influences with classic literature and historical fantasy. Critic Jason Heller says her stories dazzle with a hard-won sense of hope.

Nicole Kornher-Stace's new novel follows Wasp, an Archivist tasked with hunting ghosts to scavenge information about the past for her primitive post-apocalyptic society — where all is not as it seems.

Jen Chaney, author of As If!, says the film challenged stereotypes about young women and the way they speak. (And Cher's yellow miniskirts were a change of pace from baggy '90s flannel.)

Colin Atrophy Hagendorf decided to review a plain slice of pizza from every joint in Manhattan — a project that evolved into a two-fisted memoir of his own life and struggles with substance abuse.

Paul Tremblay's new novel is, on the surface, a story about a book about a reality show about a real-life event, but reviewer Jason Heller says it becomes an "unsettling conversation about the truth."

Tim Powers — best known for his time-travel classic The Anubis Gates — mixes up the decades again in Medusa's Web, a tale of an eerie estate in Hollywood and a family unmoored in time.

Historical novelist Cecelia Holland ventures into fantasy with this tale of a mute princess and a dragon. Critic Jason Heller says the book has an intriguing and unexpected core of Gothic romance.